The “Have Gun Will Travel” series, possibly inspired by the early 50’s radio show “Frontier Gentleman” starring John Dehner, dared to subvert the archetypal Western hero. Palladin, the protagonist, was no ordinary gunslinger. He possessed a refined intellect, capable of quoting Shakespeare and appreciating fine wines, a stark contrast to the whiskey-swigging, less sophisticated heroes of the time. This unique blend of brawn and brains set him apart from the countless other Western figures.
Richard Boone portraying Paladin in Have Gun Will Travel, showcasing his distinctive appearance and iconic black attire.
Casting an intellectual as a gunfighter in a macho Western series was a gamble. The actor needed to convincingly portray both refined elegance and rugged masculinity, commanding respect in both high society and the dangerous landscapes of the West. Richard Boone proved to be the perfect choice. He possessed a commanding presence and a believable intensity. His unconventional, rugged appearance further distinguished him from the handsome heroes that dominated the era. Dressed in black, with a mysterious past and a name evoking chivalry, Palladin became a ratings success, enjoying an impressive six-season run.
The opening sequences, often set in San Francisco, emphasized Palladin’s sophistication and charm. He was often depicted as a dandy, comfortable in the company of high society. However, this was merely a prelude to his true calling. Once hired, he would don his black attire and embark on perilous journeys. The most compelling episodes involved Palladin navigating murky situations where the truth was obscured. Often, his employers would present a biased account, forcing him to rely on his instincts and personal code of honor. Unlike a lawman bound by duty, Palladin’s actions were driven by an internal sense of justice, solidifying his image as a solitary figure.
Paladin holding his signature gun, a visual representation of his profession as a hired gun with a strong moral compass.
The writers cleverly humanized Palladin by occasionally showcasing his reflections on the complexities of the world and the consequences of his actions. A silent gaze at the end of a challenging case, or a thoughtful quotation, added depth to his character and resonated with the audience. These moments elevated the series beyond typical “horse operas” by introducing a contemplative dimension. Even weaker storylines were often redeemed by Boone’s commanding performance.
While it’s debatable whether “Have Gun Will Travel” was the definitive Western series of its time – the early years of “Gunsmoke” and Sam Peckinpaugh’s “The Westerner” also merit consideration – the enigmatic man in black remains a captivating figure. The series, with its memorable title tune, is definitely worth exploring for those interested in a different type of Western hero, a hero who could quote Shakespeare as easily as he could draw a gun.
